14. Lesson In 87: A Short Story

 



 

Collision

 

"They had a collision on the field, just a complete blow-up in that section." The judge had almost collided with the band member from Marching Colonials of Old Colonial High School when he barked this into his handled tape recorder.  He was trying to maneuver himself into position to continue his commentary, and not collide with other members of the band which were scrambling to get into formation during their preliminary Grand Nationals performance. The gap created by this collusion quickly closed in their formation and their show remained intact, although mortally wounded. There were shocked sounds from the crowd -- a lot of people had seen the marching catastrophe that everyone knew could cost the Marching Colonials significant points in competition.

 

High above the bright field, a man in a dark suit behind the glass looked down and adjusted his tie and smiled.

 

"Thank God they weren't hurt; those kids took a hit to the chops." A parent said this in the stands and there was a pall over the energy of the band when they played their last notes, because they knew that the blunder would most likely cost them their chance at the Finals performance.

 

Conference

 

Hours earlier, in a meeting room with directors from Bands of America -- and several representatives from Old Colonial HS and other Class A bands -- were in a heated discussion about some of the qualifying paperwork filed in advance of the competition.

 

"Look, they aren't supposed to be competing in this class, you know this was filed fraudulently and they should be disqualified, immediately."

 

There wasn't any anger in this stating of fact, just a reasoned urgency -- this situation should have never come to the Finals competition. Someone had deliberately looked the other way to allow New Philadelphia to compete in the Class A level -- their enrollment numbers disqualified them -- and those were the facts. And those were the facts that everyone ignored. For some, winning was far more important than demonstrations of integrity.

 

A director of the Bands of American organization, the man in the dark suit looked through the paperwork, shook his head in a muted frown and said, "We will have to take this under consideration." 

 

He took a long drink of water from a crystal glass at his desk and continued: "The competition is going to go ahead one way or another, I just don't see how this changes anything materially in the structure of these classes. And really, we have to consider intent in this." He smiled smugly because he liked the sound of his own voice and the amount of power that he exercised over this national band competition.

 

Championship

 

The crowd exploded. Marlington had just played the last note of the 1987 show and their performance was their strongest in competition yet. [1]We had found the internal reserves to do the virtually impossible, which was to improve on what we had previously defined as excellence. In many ways to measure our performance on that night, we were stronger musically, better in marching, more advanced in color guard than the year before when we had won the national competition in our division.

 

Everyone fully expected us to walk away with the 1987 Class A National Championship, just like we had in 1986.  Most of us there that night, had been there in 1986, had been there by the victory bell in the sunset, and we still had the taste of that victory in our hearts. Trophies, championships, accolades, medals, we had them pouring in during the 1987 season. On October 10th, in Morgantown, West Virginia and again on October 31st in Toledo, Ohio we had taken the Class A divisional championships. What we didn't know as we left the field that night, and as our competition numbers were being calculated, was that our most important performance of that year was yet to come, and it wasn't where we expected it to be.

 

Collusion

 

The judge looked down at this numbers on the evaluation sheets and looked to his side and again out at the stands filled students, and families, and teachers, and musicians.  That cold smug smile appeared on his face, and he took his pencil, erased the totals, and shaved off a large portion of Marlington numbers, just enough, he thought to send the finals competition to another school -- the same school who had mis-enrolled in the competition. He had been present in the meeting hours before and felt his importance in the world of musical arts competition, move up as he fulfilled his expanding role. The smile left his face, and he turned in his evaluation sheets and walked away, knowing that the power and control he exercised as a judge could be used for good, and for other purposes.  He was capricious, because he took pleasure, at times, in both. As he walked away, he looked back and caught the glance from the man in the dark suit, and their eyes met for a moment, and then they went their separate ways.

 

Night At Novi: Autobiographical

 

The yellow band busses lumbered through the affluent suburban neighborhoods filled with beautiful homes, and beautiful buildings, and beautiful manicured lawns. It was dark, but the streets and homes were well illuminated in the night. The meticulous lawns were moist with dew and reflected the streetlights, and stars, and the light from the moon. I could see in homes that we passed, quaint lighting through windows with graceful curtains, and the occasional dark silhouette of someone out for a walk in the night.

 

We pulled into the large shadow of the massive new school building in the dark. It was a gorgeous facility, newly constructed only the year before with wet paint still on some of the interior walls of the campus facility. 

 

"I need you to come off in single file, we aren't going to have time to warm up, but you should still be alright." He said this while standing as tall as he could, so that he could be heard on the lead bus in our caravan. He darted out of the bus and into the cavernous school building looming in the moonlight before us.

 

Most of us had kept their instruments after our preliminary competition and walked off the bus ready to march and play. In very short order, we formed a single file line and moved together into the school, and without being directed; a lone snare drum to our rear began an austere tap, tap, tap -- that enabled us to synchronize the placement of our left foot, simultaneously.  If we were going to be seen by anyone, we wanted to show them how a band should always move together.  If our uniforms were on, we were performing -- whether we were on the field under the lights in front of judges, on parade, or walking in between on our own.  Our uniform meant something to us.  We took wearing it seriously. And there was no lesson or training in this, specifically, it was the entire band culture that we were a part of. This was more than music.

 

"They are ready for us." Mr. Frenz said, and Mr. Angeloni, Mr. Koontz, and John Zuppe stepped aside and together, they watched us pass by them in our long train of tartan, burnished orange, and black. They wore matching blue blazers, white V-neck sweaters, all with the same tartan ties. They never had to say that they were proud of us -- of what we had become together --because the way they looked at us that night, declared it very clearly.

 

We walked into a flood of lights, and on to a stage in front of a packed auditorium in Novi High School[2] on Saturday night, November 14th, 1987. We filled the stage in our uniforms, with our instruments, with our presence and the audience grew hushed as our field commander dressed in white moved to our front. Only hours before, we had played our show and exerted our efforts to the edge of what was possible for us physically.  But there was something different about this crowd, about this auditorium, about this environment.  Why we were performing there, our field show on that stage, most of us were not clear. But if there was anyone willing to listen to us, we were going to give them everything we had -- that is what we were always motivated to do, go another inch, hold that difficult posture for another moment, always reach for a straighter line or a cleaner and more powerful balanced note -- that was what it meant to be in the Marlington band.

 

His hands moved into a director's posture, and I noticed that everyone's feet began to mark time, because it was now impossible for us to play this music and stand still.  This music had become the anthem of our collective soul and it reverberated through every cell of our bodies and it was the expression of everything powerful and sublime and beautiful; it was everything beautiful we had to share in the world up to that exact moment in time. Our instruments snapped into position with exact precision, and everything we had learned, everything we practiced and drilled and repeated and felt and could fathom in terms of power and justice and purity and love was present there that night, and we began to play, and we played together.

 

I felt the volume of our sound move through my body and with every note, and every breath, and with every expression, and with every pause and rest and melody -- we were taken away, and I know that we held nothing back; we were again, giving it away. We had mastered the balance and subtlety of every musical phrase, and we knew how to make the hot points blaze with intensity.  From the moment we were handed our music packets in the August humidity of Camp Muskingum months before, we had been working up to this point, aspiring to reach this pinnacle, striving to give flight to this music -- and soar away with it into the heavens, carrying our audience along with us during those ten minutes and four movements of performance.

 

There wasn't a piece of our sheet music within a mile of us on that stage -- our music had all been impressed into our hearts and minds in that year, and from memory we played this concert, marking time with our feet -- pushing our every drop of blood and sweat into this expression of our music. We moved through all four movements of our show and exploded in a finale fanfare at the end. With a sharp command, our instruments were snapped back down into position and many of us were wet with perspiration, and breathing hard to recover, but we kept our heads straight and our eyes focused on a single point in the distance.  That was our discipline guiding us, empowering many to work toward a singular goal.

 

And then, there was a stark silence of shock in the auditorium for seconds. Complete silence.

 

Suddenly, a massive explosion of cheering and applause literally vibrated the wooden floor that we were standing on together. Everyone in the auditorium shot to their feet in an unplanned, completely spontaneous reaction to the passion of our performance.

 

We were given an ovation that literally shook the foundation of that entire building. We may not have completely understood why we were performing that night at Novi, but we did understand that there were no trophies, no medals, no titles to be won there. This performance was strictly about the love of the music, love of the performance, and the love and passion and striving for greatness.  We played like we did because we loved this music, and our reward was in giving it away to those who would listen. I know my heart swelled as I marched from that stage that night because I knew that we had never played so strong, so powerfully, so balanced, so intensely before - ever.

 

Over the cheering and applause, one of the many directors from Novi High School forced his way through the crowd to reach out to our director.

 

"How did you do that? That was incredible, I'm serious, what is that about?" One of the many directors from Novi High School had asked this over the intense din of the crowd.

 

He smiled, watching the Marlington band march off the stage in single file, while a lone snare gave them a discreet cadence of a single tap, tap, tap.

 

"They just know their music." Mr. Frenz replied, and walked along with his band, and looked back at the other director and called back, 'We'll talk, there is a little more to it than that.'

 

We loaded back into our busses in the night and made our way back to the Pontiac Silverdome where we had assumed we would be crowned the 1987 Class A National Champions.  Our spirits were high, we were filled with anticipation and an excitement that was electrical.

 

And The Winner Is...

 

The man in the dark suit handed the final points totals to the announcers, but he didn't smile, he walked away from the press box, sat down and waited alone in the shadow of an empty conference room.

 

It wasn't Marlington that had medals put around their necks on this night, those medals were placed over stark white tricorn hats, and upon the necks of the Marching Colonials of Old Colonial High School.

 

Question

 

"These scores make absolutely no sense. What exactly did you see that was so different, because the other judges weren't anywhere near your numbers." He said and there was strength in his words, and he was clearly agitated, and was scrambling to get any kind of answer that might help him explain this to the devastated Marlington band members waiting for him in the stadium.

 

The judge who had presented the outlier scores looked back at him, and his subtle smile was mostly a sneer as he walked away not saying a word in response.

 

Commiseration

 

We sat on the carpeted floor in an area inside the labyrinth of rooms inside the Pontiac Silverdome in our uniforms, many of us were openly weeping. Some of us were angry.  All of us were confused, and hurting, and shocked. The man in the dark suit seemed to slither up to us from behind a curtain in the shadows on the other side of the room. He walked confidently up to us and nodded to our directors who were standing with their arms crossed behind us. There was tension in the room, but that didn't seem to faze the man in the dark suit. He smiled compassionately, but his eyes were not smiling; his eyes were projecting other emotions that were not exactly clear.

 

"I'm certainly surprised, as you are at the outcome of the competition tonight." He lied, and we sensed that he knew more than he should about the outcome of the competition that night. His voice was smooth and slippery, like artificial silk because it was cheap and felt, fake.

 

"Marlington has a very bright future ahead of it. I can see your school competing here for many, many years to come.  I can see just a great future for all of you." He paused, looking at the room and even when he made eye contact with you, it didn't seem to touch you in the way that it should.

 

"I understand that Old Colonial has had school levy problems, and this will probably be their last year here, so don't think that this is the last time for Marlington." And he said other words that fell upon completely deaf ears.  In a few tense minutes he walked away again and into the shadows, and we never saw him again.

 

Mr. Frenz came to the center, and we looked to him for what we knew he could say to make this feel better, feel more logical, to make this feel like less like a complete rip-off.

 

"I don't know what that was about, I really don't." He was looking at the point in space where the man in the dark suit had departed from us. He cleared his throat, and said abruptly, "Let's get out of here." And we followed him to our busses and away from the Pontiac Silverdome.

 

Now You Know

 

On the middle school gymnasium floor, across town in Novi, Michigan, where we had slept the night before, we reassembled in a circle around Mr. Frenz.  He spoke clearly, and what he said helped us to regain our perspective. He couldn't take away our pain, and he didn't try to -- but he could help us to see beyond those temporary circumstances.

 

"How many of you were here last year?" He asked and scanned the room carefully.  Most of everyone there was raising their hand.

 

"Then you can well remember the feeling of 'that' winning." And he scanned the room again, making eye contact with us, and we could tell that he was hurting like we were -- it wasn't an act. He actually felt what we felt.

 

"We were never in this for the trophies."

 

Many eyes drifted to the floor, away from him, because we had somehow forgotten this, and this was our reminder, and he was right -- and we knew it.

 

"This is the other feeling of success that you will never forget.  It's when you have given it your all, held nothing back, but you didn't get recognized for it.  It is like when you are doing very powerful 'right' things and you don't get noticed, and no one seems to ever know the good that you did." Many more eyes lifted off the gym floor and began connecting with him again.

 

"Now you know." And he paused, letting those three words penetrate us.

 

"Now you know that 'giving it away' isn't about what you 'get.'  'Giving it away' is about what you give. And what you gave tonight was, frankly, awesome." And he smiled just a little, adjusted his glasses, and continued looking at each of us, looking across the room attempting to make a connection with every one of us that he could. There was moisture in his eyes and his voice had a catch in it when he said:

 

"You are all champions in my book." And with this, he walked away.

 

Abandoned Medals

 

She had collected several of the Bands of America Gold medals from her fellow band members when they returned to their band room at Old Colonial High.  Several band members were happy to hand them to her, because they knew that their championship was tainted with something that they didn't want any part of. 

 

"It's not right, and you know it. There is no way that we should have taken that title last night." And her voice echoed in a room where many felt the same way.

 

She had planned to collect the medals and take them to Marlington, but her indignation collided with the resistance of other band members, and with the disapproval of others in leadership there.

 

She threw her medal in with the others she had collected and tossed them into the bottom of her equipment locker.  Those medals were there years later after she had graduated, because she never touched them again.

 

Call From Novi

 

Everyone had left the building after their late Sunday afternoon arrival from the Nationals Competition. Instruments had been put back into storage lockers, uniforms on wardrobe racks had been rolled back into place. Parents and band boosters had worked tirelessly to put everything back into place for school the next day. Hundreds of cars had come and gone. The busses had pulled away from the building and drove off along country roads skirted with broken and dried harvested corn stalks. A cold wind had come in with the early night. He was alone in his office and was reaching to turn off the lights on his way out when the office phone rang.  He reached for the receiver and quickly said:

 

"Marlington band office, this is Terry."

 

"You want to tell me now how you did that?" It was one of the directors from Novi High School calling.

 

"Pretty good stuff last night." Mr. Frenz replied, and his voice was filled with a smile.

 

"We've got a maintenance crew here right now reattaching some of the sound tiles your kids blew off that stage.  I'm not kidding!" And in the background, he could hear power tools buzzing in the distance.

 

"What do you have there? Brand new school. Triple A division, right?" Mr. Frenz asked, setting his brief case back down on his desk.

 

"Going to Quad A once they get it all sorted out Frenz."

 

"Well, resources shouldn't be an issue for you then."

 

He heard the Novi director take a deep breath on the other end of the receiver. 

 

"Our kids were on right before yours. And look, I think we have 350 in our program.  And they didn't sound anything like that.  I mean, I've got some super talented kids here, but they don't play like that.  They don't understand that kind of music and sound and I'll be honest with your Terry, I don't know what to tell them."

 

Mr. Frenz picked up his briefcase, turned out the light because he knew that this conversation was going to be short, and to the point.

 

"All I can tell you, is what I learned years ago." Mr. Frenz paused again for effect. He looked out of his office window into the night and calmly said: "You can't buy that kind of music; you can only give it away."

 


 



[1] This was my last MBA competition.  Although I could have participated in the 1988 season, I succumbed to the allure of the minimum wage job.  I chose to work after school instead of participating in marching band in my senior year at MHS. Unfortunately, many of us made the same mistake.  Some by necessity, others by choice. I had to work to afford the car insurance to drive the car I needed to get to work – my first taste of a real-life negative behavioral feedback loop: working for the money you need to afford to keep working – or working harder and harder for more of what you don’t want. The opportunity cost of losing my last year in band was far greater than the little bit I could earn after I paid for my working expenses. A life regret that I’ve had to learn to live with.  Hopefully other band seniors will learn from my mistake.

[2] Renovations had just been completed at Novi High School auditorium. Our band performance that night was an arrangement between Marlington and Novi band directors. Marlington could have free use of the Novi middle school gym floor, as our Hotel for the MBA Finals weekend, in exchange for this performance in the new Novi High School auditorium. 

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